Thursday, December 30, 2010

Hod Rod Pussy Willow


My newest painting (headphones help):

Hot Rod Pussy Willow from Steven LaRose on Vimeo.



A recent attempt at creating an engaging non sequitur with video and music:



An old sound thingy with an old painter:

Tuesday, December 28, 2010

A jocular acceptance that a design has failed and that a new one is needed.


I don't want to make sounds. I got everything set up; tape decks, samplers, moog app, stringed instruments and speakers and then when I began to listen to tapes I made ten years ago, I shriveled.
I threw my arms over my head as Apollo rapped his lyre upon my noggin. "That's enough now." He chided, "Show some respect."


The sounds were definitely sour. There is no cognitive dissonance at work here, mind you. I just needed to be reminded of where the fount for my fervor was found.

"Back to the stetchbook!" I shouted.

Sunday, December 26, 2010

His Memoirs, Episode I

We can only assume that His life began today; which is a perfect place to start His memoirs.

His daughter took a photograph of Him.

Actually, His daughter took a dozen highly digitized 2-D representations of Him and We selected this one for its use of B.U.M.P.E.R. "What is B.U.M.P.E.R." You might ask. Well I'll tell You what it is; here at Fish or Cut Bait, B.U.M.P.E.R. is an acronym for: Balance, Unity, Movement, Proportion, Emphasis, and Relativity. We thought it was the best portrait of Him by a ten year old that we have seen to date.

The portrait above freezes Him like His paintings below.


This group of paintings was an experiment. Our guy in question, likes to work in clusters. He likes to think an idea out with paint. These ideas are not merely spurted out of Him in a Dionysian ejaculation, but rather, He can spend months at a time generating these images.

The point being: This guy who paints in clusters has come to the end of His suite and He is wallowing in the momentary euphoria of being without questions.


Our story actually begins on the evening of December 24th, 2010 when His wife Stacy makes a traditional (starting now) Dec. 24th Fondue Dinner.


One of the very few things bothering our protagonist at that point was the health and welfare of one of His domesticated animals. The cat Omeed, it seems, had recently had one of his ears pierced by an evil and grotesque monster who is surely suffering more than Omeed is today.


Omeed's ear may still be permanently bent from the battle but the infection has definitely subsided.

Protag was feeling all right. Protag had recently ducked under The Grim Reaper's scythe (a year of cancer treatment you see) and Stacy had just created a special meal for December the Twenty Fifth.


It occurred to Him the Protag that night that B.U.M.P.E.R. can be even used for food.

"Heck" he thought, "I bet that sounds can ultimately follow the Universal Laws of B.U.M.P.E.R. as well".

So tonight, with no paintings to make, Protag assembled the tools he had for playing/working with sound.

End of Episode I.

Thank You.
Our producers would appreciate any and all advice about the preferred method for sharing sound clips on Blogger.

Monday, December 20, 2010

What is on the table?

Steven LaRose, Know Your Fables, 2010
Oil on acrylic on wood, 7.375 x 5.75 inches



Steven LaRose, Of Literary Criticism, 2010
Oil on acrylic on wood, 5.75 x 7.375 inches


Lunar eclipse tonight. Big deal right? Freak out the natives? Is "freak out" bad? Have I told you about my "Peek-a-boo" theory? You can tell everything about a human by how they respond to The Peek-a-boo Experience. Do they jump-and-giggle or freeze-and-cry?


Saturday, December 18, 2010

Coming to the end of a suite/cluster/constellation.

Steven LaRose, And Eke My Name Be Wiped Out, 2010
Oil on acrylic on wood, 5.75 x 7.375 inches


Steven LaRose, Borrowing The Beggar's Banquet, 2010
Oil on acrylic on wood, 7.375 x 5.75 inches

Seasonal Print

Zaida LaRose, Merry Xmas, 2010
Ink on paper, 6 x 8 inches

Friday, December 17, 2010

The number one reason I make paintings is to freak myself out.

This week and next I am doing a cabinet job. A real job. A nine to five kind of thing (except for the health insurance, longevity, and pride).

More as the job ensues.

Cabinet job?
Charles Willson Peale
The Artist in His Museum, 1822
oil on canvas, 103 3/4 x 79 7/8 in.
Pennsylvania Academy of the Fine Arts
Fish or Cut Bait is like the old Kunst- und Wunderkammern, or art- and wonder-cabinets that began to proliferate, more or less, in the 16th century. Michael Kimmelman says they were "the result of humanist curiosity, technological advances in things like optics and engineering, a revival of interest in antique texts that were preoccupied with the marvelous, and global exploration, which exposed Europe to what seemed like a strange new world." They were pre-specialized museums put together by individuals like Charles Willson Peale. This blog reminds me to be on the look-out for connections. Kimmelman once wrote "Be alert to the senses. Elevate the ordinary. Art is about a heightened state of awareness. Try to treat everyday life, or at least parts of it, as you would a work of art." What a privilege.
In my virtual cabinet of wonder I would like to place Chris next to Chris and their posts about Denis Peterson.Goya, not that long ago.

Only yesterday I sent a jpg of Cerise Pink to p farrell artblog.


And not only that, I adjusted some levels on this thing that Todd Johnson made.


"Opinion is ultimately determined by the feelings and not by the intellect" - Old Herby.

Steven LaRose, Herbert Spencer, 2010
Oil on acrylic on wood, 7.375 x 5.75 inches

Maybe there is some misunderstanding about size. These paintings should be intriguing from any distance.

Steven LaRose, Gang Aft Agley, 2010
Oil on acrylic on wood, 7.375 x 5.75 inches

Tuesday, December 14, 2010

Steven LaRose, Devouring Aesthetics, 2010
Oil on acrylic on wood, 7.375 x 5.75 inches

Sunday, December 12, 2010

Is it Icing or Frosting?

Oh yeah. I'm in such a bloggy mood that I'm going to open up my performance tonight with an "Oh yeah."

Except, I always get hung up on where the period goes. Is it after or before the quotation marks?

This tangent takes me clean off my game. What did I want to say? What was so bloody important?
Stacy came up with this idea to invite some of Zaida's friends and their families over for a cookie making party. I don't want to go into details, but a beautifully composed cookbook will be printed by a very small publishing house who specializes in limited editions.

The oven was on all day. Each person brought a recipe. Decorating the sugar cookies was an event. It may seem like Brent is portraying a patriarchal figure in the picture below, but he is simply waiting for the blue squeezy bottle.
Yeah, that's Brent. You might have seen him in:

Role
1984 I Married a Centerfold Actor #1
1985 Love Lives On Patrick
1986 Scarecrow and Mrs. King
1986 Knots Landing Domestic
1986 Highway to Heaven Page
1989 Night Court Jeffrey Zane
1989 Live-In
1989 Martians Go Home Dr. Jane's Patient
1990 Cold Dog Soup Benny
1990 Brain Dead Dewey
1990 Zapped Again! Larry
1990 21 Jump Street
1990 Room for Romance
1990 Jacob's Ladder Jerry
1991 The Silence of the Lambs Officer Murray[1]
1991 Shannon's Deal Vince Mooney
1991 Dead in the Water Lake Guard
1992 Mom and Dad Save the World Throne Room Destroyer
1992 Bodies of Evidence Erik
1992 Honeymoon in Vegas Vern
1992 Bob Roberts Bif, the Patriot
1993 Falling Down Rick at Whammyburger
1993 The Pickle Farm Boy
1993 Carnosaur Peregrine
1993 Josh and S.A.M. Bill at Reunion
1994 SeaQuest DSV Commando
1994 The X Files Brother Andrew
1994 Ed Wood Conrad Brooks
1995 Chicago Hope Heckling Mental Patient
1995 Muscle Guy Davore
1995 The Preston Episodes Harlow
1996 The Faculty Rick
1996 Star Trek: Voyager Butch
1996 Married with Children Cletus
1997 Touch Arnold
1997 Lost Treasure of Dos Santos Evan
1997 [Coach Delivery Man
1997 Switchback Man on Porch
1997 Seinfeld Lou
1998 I Woke Up Early the Day I Died Detective #1
1998 Just Shoot Me! Mel
1998 The Naked Truth Lomax
1998 Sabrina, the Teenage Witch Mouse
1998 Almost Heroes Trapper
1998 Weird Science Ectocist
1998 The Ransom of Red Chief Deputy Muldoon
1998 Carnival of Souls Cop
1998 Buddy Faro Skip
1999 Tyrone Weed
1999 Home Improvement Carl
1999 Dangerous Waters Wiry Man
1999 Universal Soldier: The Return Squid
2000 Nothing But the Truth Mickey Troy
2000 Blessed Art Thou Dominic
2001 The West Wing Professor Donald Huke
2001 Say It Isn't So Streak
2001 ER Fred Hopper
2001 Dead Last Hobnobber #1
2002 Buffy the Vampire Slayer Manny
2002 The First $20 Million Is Always the Hardest Security Guard #1
2002 Blood Work Cab Driver
2002 CSI: Crime Scene Investigation Steven Masters
2002 Gilmore Girls Jackson's Relative
2003 Dragnet Cliff Hartley
2003 One on One Hale
2003 Threat Matrix Bartender
2003 Vampires Anonymous Eric
2003 Carnivàle Slim
2003 Line of Fire George Dexter
2004 The Closer Morgue Attendant
2005 Monk Store Manager
2005 Embedded Rum Rum & Chip Webb
2007 The Valley of Light Man at Store


Oh. . . and Kate Mulligan, Brent's wife, in the picture above is wearing a tiara for reals.

You can learn a lot about a person from these sorts of parties.


I know one guy who was in Seventh Heaven.

Here is a painting that I finished after everyone had left.

Steven LaRose, You Ain't Got No Alibi, 2010
Oil on acrylic on wood, 7.375 x 5.75 inches

Wednesday, December 08, 2010

According to quantum mechanics there is no such thing as objectivity, Part 2

Steven LaRose, You're Awake, I'm a Wanker, 2010
Oil on acrylic on wood, 7.375 x 5.75 inches

Steven LaRose, The Cycle List, 2010
Oil on acrylic on wood, 7.375 x 5.75 inches

Steven LaRose, Mother Nature Spoke to Me, 2010
Oil on acrylic on wood, 7.375 x 5.75 inches

Saturday, December 04, 2010

Social Studies

Teresa hung some paintings in her first Arts and Crafts fair this weekend. I sat with her on opening night as it was her shift to supervise the tables. My first impression was that this may not be the appropriate venue for paintings in general. It took awhile to even find her section.
As the evening wore on, it became apparent that the customers were of a different ilk. I am not exaggerating when I say that I did not see one person spend more than a fraction of a glance looking at her paintings. And let me tell you, I was watching with profound interest. After a couple of hours, I started having fun by positioning myself in different places and manipulating the flow of traffic by standing in strategic locations. Then I wandered around and ate various holiday cookies. The most interesting thing to me however was how I did not see one person that I knew. This is very interesting in a town of 20,000 where I usually can't check the mail without waving at someone. Anyway, here is a picture of Teresa's cluster:
There are some new paintings that will go on sale Monday on her blog but she has confided in me that she may take a little break for a couple weeks. I kinda feel sorry for her but, "Live and learn" I said. "Look at me," I confided, "I rarely sell paintings and that hasn't stopped me. This just isn't the right audience. Don't let it get you down." To which she shot me that famous all-knowing role of her eyes and went over to look at the booth with the tiny food made out of Fimo.