Which one of these five paintings should I submit to a group show?
One through five, top to bottom.
Monday, June 28, 2010
Wednesday, June 23, 2010
Field Report
buzz click
tap tap tap
This is agent Chemobrain reporting from The Comfy Chair.
It has come to my attention that this is the penultimate treatment.
I am wearing a nice shirt.
My focus and memory have been compromised.
The studio is idle.
Doctor whats-his-name says it will get better.
Tomorrow I teach a painting class at the Ashland Arts Center. It is a "drop in" class, ages 13-adult, and all skill levels are welcome. The sheer improvisational demands of this structure are challenging to said Chemobrain, but the liberation of not needing to grade student's struggles, makes up for everything.
The first class I assumed that nobody knew anything. Color wheels and apples were covered. It quickly became evident that the students were more advanced and had taken classes from just about everybody else in the valley. The next class we dabbled with more abstract puddling, spattering, and esoteric talk. Tomorrow I'm thinking of bringing my Color-aid set and gettin' all Josef Albers on them.
crackle crackle
psssst
tap tap tap
This is agent Chemobrain reporting from The Comfy Chair.
It has come to my attention that this is the penultimate treatment.
I am wearing a nice shirt.
My focus and memory have been compromised.The studio is idle.
Doctor whats-his-name says it will get better.
Tomorrow I teach a painting class at the Ashland Arts Center. It is a "drop in" class, ages 13-adult, and all skill levels are welcome. The sheer improvisational demands of this structure are challenging to said Chemobrain, but the liberation of not needing to grade student's struggles, makes up for everything.
The first class I assumed that nobody knew anything. Color wheels and apples were covered. It quickly became evident that the students were more advanced and had taken classes from just about everybody else in the valley. The next class we dabbled with more abstract puddling, spattering, and esoteric talk. Tomorrow I'm thinking of bringing my Color-aid set and gettin' all Josef Albers on them.
crackle cracklepsssst
Thursday, June 17, 2010
Extended or prolonged gestures
SOLD
sold
Graphite on bristol paper, 12 x 12 inches
$80 (includes shipping)
"Look how he developed the form interior
then iced it with contour line" (Elizabeth Reed)
Please indicate the drawing you are interested in (1-6, top to bottom) when purchasing or in the comment section here or via email (stevendotlaroseatgmaildotcom).
Wednesday, June 09, 2010
Evocative
Paradise Lurking
A True Victory
How Can I Please You?Each:
Graphite on bristol paper
Six by six inches
Sixty dollars (includes shipping)
stevendotlaroseatgmaildotcom
Six by six inches
Sixty dollars (includes shipping)
stevendotlaroseatgmaildotcom
Thursday, June 03, 2010
R&D Gesture Drawings
Graphite on bristol paper, 6 x 6 inches.
$60 (includes shipping)
Please indicate the drawing you are interested in (1-5, top to bottom) when purchasing or in the comment section here or via email (stevendotlaroseatgmaildotcom).
Wednesday, June 02, 2010
Research and Development
Steven LaRose, Waiting for the Doctor, 2010 Graphite on bristol paper, 6 x 6 inches
Steven LaRose, Under the Plaza, 2010
$60 (includes shipping)
Steven LaRose, Under the Plaza, 2010Graphite on bristol paper, 6 x 6 inches
$60 (includes shipping)
$60 (includes shipping)
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