This weekend, I went to ScienceWorks with Zaida. One of the exhibits includes a kalliroscope. It is a lazy-suzan table with a clear top and rheoscopic fluids swirling inside. The fluids were invented by Paul Matisse, an artist working in Groton, Massachusetts. I've often been mesmerised by this thing, but this last visit made me think of a picture I recently saw on someones blog of a geometric formation around one of the poles of Mars. Its a pentagram (insert a sharp intake of breath here). I would have completely forgotten the image, in fact, I couldn't find it again, if it wasn't for the fact that I was absentmindedly making geometric forms with the kalliroscope at Science Works. Here is one picture I did find of Mars.
I also came across all kinds of Katrina hurricane pentagrams and magical five sided figures on the sun. But check out what can happen when you spin gaseous fluids in a kalliroscope, especially note figure (c) below:
Nothing mystical there. Just cool shit. I got lost in these other links while trying to understand swirling fluids:The experimental nonlinear physics group, the physics of everyday life, ferrofluid in a rotating magnetic field, The Rosensweig instability in a ferrofluid, , a diffusion limited aggregation applet, a review of Philip Ball's book, The Self Made Tapestry: Pattern Formation in Nature, Java simulations of pattern formation.
Devendra Banhart says of Pentangle: "It's a perfect name too: five members, five fingers, four elements/limbs plus the spirit!"Now that I've mentioned music,
go trade CD's for one dollar at la la.(This bookmark courtesy High Low and in Between.)
(INTERMISSION)
yeah maybe I should.
here are some bookmarked paintings:
(INTERMISSION)
yeah maybe I should.here are some bookmarked paintings:
Melissa ReischmanStorm II, 2004
Oil on Canvas
36 x 36 inches
I really can't recall how I bookmarked Melissa's blog. Some of her paintings had me leaning into the monitor.
George BetheaBuddha's Light
acrylic on canvas, 48 x 36"
via Helquin Artifacts
I think I was initially appalled by these paintings. But I'm kinda takin' a shine to them. However, the titles can irk me a bit. All this Asian culture seems to be streaming at me. I am not Asian. I don't want to borrow from or imitate, emulate, copy, or romanticize Asian things. It is going to be hard not to do that with my ink drawings. That and Pollock. I've been avoiding everthing to do with ole Action Jackson. I suppose I'll eventually break down and actually dive into the guy's oeuvre.
Lynda Hoffman-SnodgrassSoulfire
Watercolor, 21 x 29.5"
I saw this person's paintings in a local gallery and I panicked. I felt my inky-ways could easily look like hers. I was discouraged. I don't like her paintings. Its going to take some soul searching to figure out why.
Floating Limbus, 2006
watercolor, gouache, graphite and thread on abaca paper 14 x 10 inches
from the Dieu Donne Papermill via Chris Rywalt
These works on paper by Karen I found inspirational. I wonder what capacity "thread" is used in her work?
watercolor, gouache, graphite and thread on abaca paper 14 x 10 inches
from the Dieu Donne Papermill via Chris Rywalt
These works on paper by Karen I found inspirational. I wonder what capacity "thread" is used in her work?



4 comments:
You don't like Lynda's paintings? The one you have here, and her other similar one on her site, look pretty cool. I like the color choices. But I'm a sucker for purple and orange.
yeah, I tried to pick a nicer one. the paintings in the gallery are better too. maybe I don't like them because they are too froo-froo. Too much about some code of flowers and watercolor techniques that have been used historically to render plants. I see symbols of pretty.
maybe my hypocricy makes me sqruim. you know, seeing in others what you don't like in yourself, and all that.
Hey I like it a lot when people pick out art..kind of taking back the "curate" from the museums!
thanks for the shout out Steve!
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